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4-Way Coordination: A Method Book for the Development of Complete Independence on the Drum Set, by Marvin Dahlgren, Elliot Fine
Free Ebook 4-Way Coordination: A Method Book for the Development of Complete Independence on the Drum Set, by Marvin Dahlgren, Elliot Fine
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Proficiency as a drummer has always come from great hand dexterity. However, with the introduction of modern drumming techniques, it has become increasingly necessary to gain complete independence of both the hands and feet. With various rhythmic exercises in easy-to-read notation, 4-Way Coordination is designed to guide the drummer from simple patterns to advanced polyrhythms. Through the study of this method book, the student will gain invaluable listening skills and techniques that will provide insight to drumming in all styles.
- Sales Rank: #19102 in Books
- Brand: Alfred
- Model: 00-HAB00019
- Published on: 1985-03-01
- Original language: English
- Number of items: 1
- Dimensions: 12.25" h x 9.00" w x .25" l, .44 pounds
- Binding: Paperback
- 56 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
LOVE This Book!!!
By Randall C Kemp
I absolutely LOVE this book. As a drum instructor I use it to get away from the traditional "2,4" beats. It even helped me brush up on my own skills as well.
I've had some younger students who have trouble reading drum music, let alone playing the proper drum at the proper time. I found that using this coupled with color coding right and left (ie orange highlighter is right, blue is left) it made it easier for the student to understand. Prior to using this book with that particular younger student, they could only play two parts at once. Now, because of the pedagogy of this book, most beats come pretty easily to that student.
I would highly recommend this book to anyone having trouble with playing simple beats and drum coordination. I would also say the seasoned player could get a lot of use out of this book, especially for site reading.
1 of 1 people found the following review helpful.
Essential book. Difficult but rewarding.
By epsy
Free open independence of limbs should be any drummer's goal. To be able to play any rhythm with any limb regardless of what the other 3 are doing. This book breaks you down from the ground up. Most drummers will immediately notice their left foot as the weakest link start to catch up to speed with the rest of their limbs with the initial melodic coordination exercises. This is not an easy book, you'll be humbled very quickly if you expect to blaze through this one. It's imperative to take your time on this stuff. You need to step up to this book with a zen-like patience and a child-like excitement to the challenges that await. One extremely important tip to getting through this book is to assign each hand and foot to a different drum. The obvious would be...
right hand = floor tom
left hand = snare
right foot = kick
left foot = hihat pedal
This is imperative because it allows you to memorize the pattern by ear once you've played it enough. Something that would be impossible to do effectively with both hands on the snare or each foot on a kick pedal. Good luck and be persistent. This book only works if you work on it. I personally don't do very well sight reading music. I learn best by ear, so I have transcribed pages into a midi sequencer and learned by ear with a good system used for tracking my progress with each exercise. I truly love this book. It's a monster.
I recently decided to start taking lessons as a way to help me sight read through this book. My teacher told me most of his students didn't really enjoy it, as the musical application of the ideas are not spelled out for you. They simply wanted to move onto learning patterns that had an immediate and obvious musical application. As other's have said this book isn't designed to teach you new grooves and patterns that can be lifted directly from the book and used in an immediate musical context without using your imagination. These have more of a drill type feel to them. Which is to be expected. This book is designed to give you limb interdependence. It goes after one goal in an extremely solid and thorough way. It's up to you to translate that interdependence into musical ideas yourself. Every drummer knows what it feels like when they hit a snag with a pattern that requires slow practice to master. If you thrive on chasing that dragon, get this book. You will be a better drummer for it.
1 of 1 people found the following review helpful.
The Pot of Gold
By James B. Ross
If you are seeking help with limb independence on the drumset this is a must buy. It's the pot of gold at the end of the rainbow that you are seeking. Truly it is. It's not hard to use at all. In fact, it's extremely simple exercises, but they will indeed do what they say.
I just bought the book and I have only had it a few days. Yes, it's true that I can't speak from actual results yet, but just from starting in on these exercises I can see precisely how they are going to take me to full limb independence in baby-steps. All that's required now is for me to sit down and practice these though this book. I have no doubt at all that they will take me where I want to be in terms of limb independence. I can already feel it coming in the very first set of exercises.
Just as a tip for anyone one who buys, or owns, this book. The actual instructions are very brief. There really isn't much to say. The exercises speak for themselves. However they do say to play 2 bars of rhythm and 2 bars of exercises. They don't go into detail about that. What I realized they mean is to play two bars of groove (pick a groove of your own choice), and then two bars of exercises, drop back into your groove, then play the next two-bar exercise, and so on. Wow! That really helps and instantly gives these exercises a musical feel.
Also, some of the exercises are printed as eighth notes. You can put any kind of swing field on them you like. It's not about timing. All they are using the notes for is to convey which limb should play each note. So you can play these independence exercises to any rhythmic beat you so chose. It's not about rhythm, it's about limb independence. So it doesn't matter whether you're playing jazz, funk, rock, you name it. These exercises can be played with any musical feel you like. Just get a groove going and start playing these two-bar exercises, then two-bars of groove, and back and forth. You can't go wrong. You might even come up with some really cool beats of your own just from having gone through these independence exercises.
I can't recommend the book highly enough. Like someone else said, it's worth 20 stars if limb independence is your goal. You'll feel it coming as soon as you start in on these. Not to imply that it will come easy. You may need to start out slow, but you'll quickly feel that you're on the right path.
I'm certainly excited about this lesson book. Like some others have mentioned, it's quite unconventional in its approach, and as far as I can see this is the "secret method" I was seeking. The pot of Gold that I never believed existed.
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