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• Sales Rank: #460809 in Books
• Published on: 2008-12-29
• Binding: Paperback

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• Published on: 1709
• Binding: Hardcover

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Dr. Lessin explains the Anunnki's involvement in human history. The giant olden gods, folks with high tech & their heirs chain us to short, hard lives. The "gods"rocketed here from the planet Nibiru & bred with Homo Erectus to create us as short term slaves & soldiers. We praised them & killed in their names: Allah = the Sumerian Nannar, Yahweh = Enlil , Adanoi = Enki. Read this book & transcend the "gods'"religions.

• Sales Rank: #737609 in Books
• Brand: Brand: CreateSpace Independent Publishing Platform
• Published on: 2012-10-31
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .52" w x 8.50" l, 1.19 pounds
• Binding: Paperback
• 228 pages

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• Used Book in Good Condition

About the Author
Sasha Lessin Ph.D (U.C.L.A. anthropology Ph.D.), author of Anunnaki: Gods No More and producer of the hugely popular web site, www.enkispeaks.com, studied with the late Zecharia Sitchin, for many years. Mr. Sitichin asked Lessin to create popular internet, book and college-level courses to revise ancient anthropology. Sitchin asked Lessin to help disseminate written, graphic and traditional stories of ETs, hithertofore considered mythic "gods" on Earth from 450,000 years ago to 300 B.C. as well as the latest findings in astronomy that relate to the planet Nibiru from which the ETs came to Earth for gold to shield their planet, Nibiru. To this end, Dr. Lessin and his wife, Janet (a lifelong contactee) present public slide shows, radio and youtube programs and lectures.

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43 of 47 people found the following review helpful.
Very sloppy!
By Brian L. Tuck
The best way to describe this book is sloppy! It seemed like something that was just quickly thrown together and put out for sale. While I know the author is very knowledgeable and has studied this topic for many years, it did not come across this way in the book. There is a brief introduction that is pretty much impossible to read due to MANY gramatical and punctuation mistakes. Somebody really should have thought to proofread this book before it went to print. The book then quickly dives into the theory on human history. There are so many names of idividual "Anunnakis" presented, that it quickly gets difficult to keep track of who is who. My other complaint is that there is very little, if any, supporting information for the theories presented. Again, I know the author has studied this topic and has reason for these theories, but they are not in the book. All in all, this was a very disappointing read. I would not recommend this book to anyone. Try one of the many other books on the subject. This book is sloppy and very poor in quality.

22 of 23 people found the following review helpful.
Summary from ZS Earth Chronicles
By A. Amaya
it was okay, but basically is a compendium from other books, like Zacharias Zitchin's Earth Chronicles and Tellinger's slave species. Don't know why there isn't a Kindle version, since this book's worth is only text, its pictures are a random-themed collection of photos.

31 of 35 people found the following review helpful.
Easier than reading Sitchin
By Robin Landry
While I think the 12th Planet series are wonderful, Sahsa Lessin's book is easier to digest. It's almost like reading a novel, thought for the life of me, I can't seem to find the good guys. What a train wreck these 'gods' left our planet and psyches in. No wonder we have continual war and serial killers. Everything less than life-affirming thing we've every even thought about doing to each other, these 'gods' have already done and on a much great level.

If half of this book is true, the god we are taught to worship at the threat of a hell when we die, have set up hell on earth with their petty rivalries. We're like the pit bulls who tear each other to bits for their entertainment. Any critical reading of the books of history that have been left behind, starting with the Sumerian Text and ending with the Bible, give us a glimpse into the mind of supposedly higher beings who thought nothing of killing thousands of us at a time just to prove some petty point.

Take the example of the term "Jezebel" an unscrupulous woman. The real Jezebel was a descent of Enki and Inanna(a girl who seduced her uncle to gain power) who married a king named Ahab. "She believed that the alliance between Phoenicia and Israel could 'replace separatism pragmatism replace ideology and trade replace bloodshed . . . When Ahab defeated an Assyrian attack, Elijah, Enlil's representative in Israel, blamed her(Jezebel) for Ahab's decision not to sacrifice the captured Assyrian king and his men to Enlil and instead create an alliance with Assyria."page 156-7.

So a 'wanton' woman is one who wants peace and doesn't want to kill kings and their armies to the local 'god' to feed his enormous ego. Or how about Enlil's other favorite Abraham who's told to murder his son to show his loyalty to the god Enlil. I always wondered how anyone could worship(work for) a god who asks you to murder your own child. I would have said no thanks.

Throughout this book you see photos of the land after 'god' destroyed it(Sodom and Gomorra), drawings of the old cities, and hear our oldest story, the Epic of Gilgimesh explained.

Lessin says that some of these 'gods', beings from the planet Nibiru(Hebrew?) stayed on planet earth and are still in charge. That the Nibiru is on its way back causing extreme weather, earthquakes and volcanoes going off, but that's just crazy talk. All of the current weather extremes are due to global warming caused by our SUVs. Yes, we're being blamed as usual by a group of beings that had little if any regard for their creations.

Their symbology is everywhere. A winged disk is popular on our cars and motorcycles; the dollar sign is the name Isis over-lapped, the all-seeing eye, because 'god' is always watching you, and many other subtle signs the 'gods' have left us with.

Regardless of the truth of this tale, we do need to realize that we're all brothers and sisters on a small planet that needs us to care for it as we would our homes. And only time will tell if this planet of 'gods' will make an appearance again in our skies, coming out of the south as legend says. And it's probably only coincidence that the Vatican has an observatory at the South Pole.

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• Sales Rank: #9268283 in Books
• Published on: 1800
• Binding: Paperback

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• Sales Rank: #2277445 in Books
• Published on: 2015-07-22
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .70" w x 6.10" l, .90 pounds
• Binding: Paperback
• 296 pages

Review

"As the first mainstream textbook on Islamic counselling, I think Rassool has successfully created a comprehensive resource to further develop culturally competent counselling for Muslim clients as well as providing a faith-based practice model for counsellors who are looking to offer Islamic counselling." – Myira Khan is a counsellor in private practice and founder of the Muslim Counsellor and Psychotherapist Network, Therapy Today

"A comprehensive and well-structured book from a psycho-religious perspective. This book fills a gap in the field of Islamic counselling. I highly recommend it to students, professionals and anyone with an interest in the subject." – Soha Rajeev, Soul Talk & IOU

"At best this could become an essential source for psychotherapy students, and at the very least could spur others on to write more. The rich inspiring ideas of psychic construct and healing in Islam may then build, with various descriptions and models enriching the world of therapy." – Mrs Rukaya Rose MBACP Senior Accred. Dip. Islamic Counselling

"G. Hussein Rassool has written Islamic Counselling for both Muslims and non-Muslims. The book introduces Sunni Islam to Western counsellors who face more and more Muslim clients and need a quick reference to understand them... The Muslim audience, in turn, will come away with a deeper understanding of how Western notions and practices of counselling fit into their beliefs, and why some are more appropriate than others... Rassool [outlines] the practical and rich interpretation of contemplation... that helps to make the book worthwhile. Placing this alongside certain Western counselling models opens some doors between Islam and Western psychology." - Brian Welter, Journal of Shi'a Islamic Studies

About the Author

G. Hussein Rassool (PhD, University of London) is Head of Department, Faculty of Psychology, Islamic Online University, responsible for the Certificate, Diploma and BA (Psychology from an Islamic Perspective). He is the Executive Director & Consultant of Sakina Counselling Institute & Research. He is an independent consultant in Addiction and Mental Health. He was Professor of Addiction and Mental Health, University of Sao Paulo, Brazil. His previous experience was as a Senior Lecturer at the Department of Addictive Behaviour & Psychological Medicine, Centre for Addiction Studies, St George’s Hospital Medical School (University of London), UK. During his career, he has a been awarded a number of honours and was an editorial member of a number of prestigious international journals. He has published extensively and is an author /editor of eight books.

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Luigi Pirandello’s “Henry IV” opened to general acclaim at the Teatro Manzoni in Milan on February 24, 1922, less than a year after his revolutionary theatrical achievement, “Six Characters in Search of an Author.” The title of the later play suggests a historical drama, recalling Shakespeare’s great history plays. Yet “Henry IV” is instead anti-historical in that it “plays with” history, presenting historical events not as sequential and true, but as simultaneous and as an imaginary refuge. Henry IV (whose real name is not given) lives in a fake medieval castle where everyone must wear the costume of a historical figure. He is a twentieth-century Italian aristocrat whose madness traps him in the role of the Holy Roman Emperor, the German Henry IV, who reigned from 1056 until 1105. Numerous comparisons have been made between Pirandello’s “Henry IV” and Shakespeare’s “Hamlet.” The affinities between their protagonists include madness, along with the pretense of madness, involving a consummate theatricality. Like other “mad” Pirandello characters, the man consumed by the role of Emperor Henry IV has been judged to be insane by a society that he judges to be insane. Madness, for Pirandello, can reveal a particular lucidity that gives access to truths not evident to “normal” people. Pirandello’s one-act play “The License” (“La Patente,” 1918), displays an earlier version of this theme. Its main character, Rosario Chiachiaro, may be mad or pretending to be mad as he also dons a costume and prepares to play a role for the rest of his life, the role of a purveyor of the “evil eye” — his means of self defense against a society consumed by hypocrisy and superstition. — “After the brilliant translation of “Six Characters in Search of an Author,” Mary Ann Witt and Martha Witt return to Pirandello with yet a bigger challenge: translating the complex play “Henry IV” and placing it next to “The License,” a much less performed work. The insightful and original introduction well supports this coupling, which is based on the theme of madness, so central in Pirandello’s production. An absolute must read for understanding Pirandello’s work.” — Daniela Bini, University of Texas, Austin — “At once elegant and absorbing, subversive and vibrant, this superb translation of Pirandello’s story of the bankruptcy of reason and of the seemingly pointlessness of life, is truly one ripping good read. Catching the humor of a desperately moving journey of self-invention and unpredictability, the translators skillfully succeed in bringing out Pirandello’s bleak and yet life-affirming creation of alternative worlds in a drama that — just like the short one-act play that accompanies it — tells us much about the human condition and the society’s role in policing it.” — Valeria Finucci, Duke University A new English translation with introduction, notes and bibliography.

• Sales Rank: #306750 in Books
• Published on: 2015-11-24
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .30" w x 5.50" l, .35 pounds
• Binding: Paperback
• 118 pages

About the Author
Luigi Pirandello was born on June 28, 1867 in Kaos, near Agrigento in Sicily, where his father owned sulfur mines. He left Sicily to study in Rome and eventually completed a doctorate in linguistics at the University of Bonn in 1891 with a dissertation on the dialect of his home town. He initiated his writing career as a poet. In 1894 he married Antonietta Portulano, the daughter of one of his father’s colleagues. The couple settled in Rome, where Pirandello became acquainted with other writers. He began to write short stories — eventually hundreds of them — and to adapt some of them for the stage. In 1903 the failure of the family sulfur mines caused severe financial problems for Pirandello, his wife, and their three children Fausto, Stefano, and Lietta. Antonietta began to suffer from severe mental problems from which she never recovered, and she was eventually placed in an institution. Needing to work, Pirandello taught at the Magistero, or normal school. He published his first — still his best-known — novel, “The Late Mattia Pascal,” in 1904 and an important theoretical essay, “On Humor,” in 1908. His early plays such as “Sicilian Limes” and “Liolà” explore the Sicilian mentality and culture, contrasting it with those of the mainland. His period as a major dramatist began with “Right You Are (If You Think So)” in 1916 and culminated with his two greatest plays, “Six Characters in Search of an Author” (1921 and 1925) and “Henry IV” (1922), now both newly edited and translated by Martha Witt and Mary Ann Frese Witt and published by Italica Press. A member of the Fascist Party as early as 1923, Pirandello hoped that Mussolini would support the Teatro d’Arte, which he began to direct in 1925, staging his own plays, some foreign plays, and the works of contemporary Italian dramatists, including Massimo Bontempelli. Il Duce, however, although expressing interest in his work, never gave financial support and the experimental company disbanded in 1928. Despite this disappointment and other disagreements with Mussolini, Pirandello remained a loyal fascist until his death. Pirandello was awarded the Nobel Prize in Literature in 1934 for his “bold and brilliant renovation of the drama and the stage.” His plays are still regarded as groundbreaking and a major influence on modernist and postmodernist theater. He died in Rome on December 10, 1936.

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• Published on: 2015-10-28
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.26 pounds
• Binding: Hardcover
• 610 pages

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